In the coming weeks, Philip Cuomo, Executive Director of Portland Actors Conservatory, will be writing a series of blog posts about defining success as emerging actors bridge the gap from educational theatre to the professional theatre.
In the meantime, we're musing on this New York Times column by Sarah Ruhl, a Pulitzer Prize finalist for playwrighting, who has decided to take criticism out of the equation with her latest production, “Melancholy Play." By doing so, she is redefining how her work is judged successful - who gets to decide? How is successful theatre defined? How do you define success?
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